Volume 3, Issue 1, January 2018, Page: 14-19
The Muslims’ Identity in American Society Through Ayad Akhtar’s Play «The Who and the What»
Houaria Chaal, Department of English, Hassiba Ben Bouali University, Chlef, Algeria
Received: Dec. 4, 2017;       Accepted: Jan. 2, 2018;       Published: Feb. 24, 2018
DOI: 10.11648/j.ellc.20180301.13      View  1037      Downloads  55
Abstract
The present research aims to point out the clash between the religious and social aspects of Muslim’s life in Ayad Akhtar’s debatable play «The Who and the What», in which the author attempts to stir matter of Muslim Immigrants’ identity, through an impetuous young Muslim woman, Zarina, who tries to break out all the barrier of her traditional society and heritages which bound her to realize what she wants to do; as a result, she lives in a conflict with her family. However, she was controlled by her rigid father, Afzel, who embodies the old generation. Therefore, Ayad Akhtar intends to depict the tension between the conservative traditional life and modern contemporary American one, exploring the interfaith conflicts. And in order to analyze the novel elements, the study adopts the cultural approach.
Keywords
Ayad Akhtar, American Society, Clash, Muslims, Religious Identity, Play
To cite this article
Houaria Chaal, The Muslims’ Identity in American Society Through Ayad Akhtar’s Play «The Who and the What», English Language, Literature & Culture. Vol. 3, No. 1, 2018, pp. 14-19. doi: 10.11648/j.ellc.20180301.13
Copyright
Copyright © 2018 Authors retain the copyright of this article.
This article is an open access article distributed under the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/) which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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